{"id":7879,"date":"2026-06-18T13:00:19","date_gmt":"2026-06-18T11:00:19","guid":{"rendered":"https:\/\/klaasikunst.ee\/?p=7879"},"modified":"2026-06-28T13:09:38","modified_gmt":"2026-06-28T11:09:38","slug":"2026-maarja-maemets-evelina-lindstrom-through","status":"publish","type":"post","link":"https:\/\/klaasikunst.ee\/?p=7879","title":{"rendered":"2026 Maarja M\u00e4emets, Evelina Lindstr\u00f6m THROUGH"},"content":{"rendered":"<p><strong>On 18 June at 6 PM, Maarja M\u00e4emets and Evelina Lindstr\u00f6m opened their joint exhibition Through at the Hobusepea Gallery.<\/strong><\/p>\n<p>The exhibition brings together two different approaches to memory that have taken form as delicate ceramic and glass art pieces. Evelina Lindstr\u00f6m addresses memory through Henri Bergson\u2019s concept of duration (dur\u00e9e), while Maarja M\u00e4emets views it as a spatial structure.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 20%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-7879 gallery-columns-5 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180841_HDR-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180841_HDR-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180756_HDR-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180756_HDR-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180750_HDR-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180750_HDR-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180718_HDR-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180718_HDR-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180512-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180512-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180505_HDR-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180505_HDR-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180441_HDR-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180441_HDR-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180329_HDR-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180329_HDR-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180313_HDR-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/IMG_20260618_180313_HDR-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/683495369_18582907657062589_8784880526467716314_n.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/klaasikunst.ee\/wp-content\/uploads\/2026\/06\/683495369_18582907657062589_8784880526467716314_n-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>According to Bergson, time in lived experience does not flow linearly or evenly, instead it moves in different rhythms and intensities. Memory is not an archive of the past, but a continuously active and ongoing variable. In Lindstr\u00f6m\u2019s works, this idea is expressed in recurring pearl shapes, implying how an irritation or a foreign body, such as a grain of sand, can over time develop into something enduring and coherent.<\/p>\n<p>In the works of M\u00e4emets, memory appears as a space where remembrances have been stored, relocated or partially lost. The viewer encounters stairs that lead nowhere, empty containers and objects raised above eye level and hand\u2019s reach, turning memory into something fragmented and only partially accessible. In her installations, M\u00e4emets draws on the ancient Greek method of loci or the memory palace technique, which means that memories are placed at different locations within an imaginary architecture. While this technique is traditionally used to organise knowledge and memorise complex information, M\u00e4emets uses it to map emotions, memories and personal experiences.<\/p>\n<p>Together, the works of Lindstr\u00f6m and M\u00e4emets form two complementary approaches to memory: seeing it on the one hand, as a lasting and continuous experience, and on the other, as a spatial structure in which some memories will always remain inaccessible.<\/p>\n<p>Maarja M\u00e4emets (b. 1991) is an Estonian artist based in Stockholm whose work explores manual practices through narrative objects, working primarily with glass, as well as with installation and text. Through material-based storytelling, her practice investigates gaps and uncertainties in personal memory, searching for traces of hope and courage within what remains. She holds BA and MA degrees in glass art from the Estonian Academy of Arts and is currently pursuing an MFA in CRAFT! at Konstfack University of Arts, Crafts and Design in Stockholm. Her work has been presented internationally, including at major European design and craft platforms, such as the Milan Design Week and the Venice Glass Week. Since 2025, she has been the main organiser of the next Tallinn Applied Art Triennial.<\/p>\n<p>Evelina Lindstr\u00f6m (b. 1990) is a Swedish, Stockholm-based artist working primarily with sculpture and image-making in clay\/ceramics. She holds an MFA from the Royal Institute of Art in Stockholm and a BFA from the art academies of Ume\u00e5 and Vienna.<br \/>\nThrough her artistic practice, Lindstr\u00f6m explores impermanence and the fragility of life. Her works give form to the emotional landscapes embedded within experiences of transience, addressing themes of melancholy, grief and consolation. Working with materials that carry both vulnerability and resilience, she creates sculptures and images that evoke the fragile balance between loss, memory and care.<\/p>\n<p>Curator:<br \/>\nLilian Hiob-K\u00fcttis<br \/>\nThe exhibition is supported by the Cultural Endowment of Estonia.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On 18 June at 6 PM, Maarja M\u00e4emets and Evelina Lindstr\u00f6m opened their joint exhibition Through at the Hobusepea Gallery. The exhibition brings together two different approaches to memory that have taken form as delicate ceramic and glass art pieces. Evelina Lindstr\u00f6m addresses memory through Henri Bergson\u2019s concept of duration (dur\u00e9e), while Maarja M\u00e4emets views [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7847,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-7879","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"On 18 June at 6 PM, Maarja M\u00e4emets and Evelina Lindstr\u00f6m opened their joint exhibition Through at the Hobusepea Gallery. The exhibition brings together two different approaches to memory that have taken form as delicate ceramic and glass art pieces. 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